Military Green Lighthouse
My office is luckily near the sea, and just few meters from the sea there is this military green lighthouse. It’s small, it’s like a two people room with a powerful lantern over it.
I have sketched many times this subject like here recently, but not alone, and from distance.
You know, when you are going closer to some subjects, you always find a surprise in a way or another.
I made this sketch in two sessions.
On the first session I took a chair with me and I enjoyed a lot the sketching of the outlines and the washing of the sky. I was so amazed of the sky and the subject that in my forty minutes of my sketching session I spent at least 30 minutes in enjoying and appreciating the scene. Trying in the same time to memorize as many interesting details as possible. I ended the sketching of this military green lighthouse with the outlines and some washes for the sky and the sea, that I left almost untouched on the second session.
I felt pretty uncomfortable, since I was spreading all my materials on the grass but I really enjoyed a lot. I finished taking a couple of pictures with my phone.
On the second session this military green lighthouse became alive with several light washes on it, on the ladders and on the ground. Plus minor details and quick blackening on the deeper sides with my black brush pen.
I was also finishing this sketch on the table as you can see in the pictures, trying to figure out the rest relying on memory> I just took a look very shortly on my p[pictures saved on my phone, but having done almost everything I relied most of all on my memory and my earlier feeling.
And it was also raining outside so this is another reason I finished sketching indoor.
As you can see in these ) I’m trying to use a slight different weapons from the usual
It took two sessions to complete these sketch.
In few words I’m trying to use less the waterbrushes and more the classic brushes bringing to me the water. It’s more difficult for many reasons, but gives me plenty more satisfaction and gives also stronger and vivid colors. and I can also make better washes and layers, that’s for sure. At least to my sketches I feel like that.
In this case I used the three of the Escoda Travel set (size #3, #6 and #12) inside a case that I hand-made in oiled leather.With this I’m not saying that I’m dropping the water brushes, often they are so comfortable and they works so good that for sketch quickies they are unsurpassed.
But I’m willing to use them less.
The equipment used for this sketch is my workhorse the Lamy Safari with EF nib filled with Platinum Carbon Ink. watercolors are the faithful Winsor and Newton and the paper is a Stillman&Birn Beta notebook.